After Standing Rock, a new unity emerges

Photo: Dark Sevier
Photo: Dark Sevier

by Nancy Romer

After eight months, starting with a few hundred young Native Americans and swelling to up to 15,000 people in the sprawling encampments of Standing Rock, North Dakota, a victory was celebrated. President Obama’s US Army Corps of Engineers denied the request for an easement to allow Energy Transfer Partners (ETP)* and their “family” of logistics corporations to build the Dakota Access Pipeline (DAPL) under Lake Oahe and the Missouri River, which that could threaten the water supply and sacred burial sites of the Standing Rock Sioux. The Army Corps of Engineers further required a full Environmental Impact Statement (EIS), which usually takes months and sometimes years, to reconsider granting the easement.

DAPL is a $3.7 billion project that would link 1,200 miles of pipeline carrying over 500,000 barrels of crude oil every day from North Dakota through the mid-west and eventually to the east coast and south of the US. The sunny and wind-swept prairie of Standing Rock reveals the absurdity of building fossil fuel infrastructure that will further harm the planet when renewable energy is everywhere, waiting to be developed.

The December 4th decision came immediately after 2,500 US military veterans joined the “water protectors”, as they are called, at Standing Rock. The vets formed a human shield protecting the water protectors from the myriad local law enforcement officers who work on behalf of the interests of the private oil and gas industries. Several of the vets said that, after serving in Iraq and Afghanistan, their effort to protect Standing Rock was the first time they actually felt they were protecting the American people.

After almost 500 years of white settlers and the US government stealing land from Native American tribes and forging divisions between them, over 200 Native tribes have coalesced to protect Standing Rock. The history of government-sanctioned genocide and colonialism are recurring themes in this struggle.

The main “road” in the encampment is Flag Row, a long dirt path lined with hundreds of colorful tribal flags from all over the Americas, signaling unity. Strict rules of decorum prevail—no drugs, alcohol, or weapons of any kinds, total non-violence, respect for decision-making by the tribal council and for elders, and dedicating the encampment to non-violent prayer. Their slogan is “Water is Life”. Thousands of Indigenous peoples from all over the world and tens of thousands of non-Indigenous peoples have come to Standing Rock to defend Indigenous rights and to protect Mother Earth. They want to kill the “black snake”: DAPL. There lie the seeds of unity and dissent.

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Photo: Dark Sevier

Mother Earth and/or Indigenous Rights

Indigenous activists such as Tara Houska, Anishinaabe lawyer for Honor the Earth and Tom Goldtooth, Navajo leader of the Indigenous Environmental Network, see fighting the pipeline as more than defending the tribes; they see it as defending Mother Earth. They see fossil fuel infrastructure as dangerous to the future of humans on earth. They want to see the development of renewable energy and the end of fossil fuels.

Dave Archambault, II, Chairman of the Standing Rock Sioux tribe and primary spokesperson for the coalition of tribes, will be satisfied if the pipeline is re-routed away from the Sioux orbit. He has told the water protectors camping on the grounds to go home to their families for the winter: their jobs are done. He has repeatedly stated that he is not opposed to infrastructure projects or to “energy independence” but rather is opposed when Indigenous peoples are not consulted and when the pipelines go through their lands and waters. Native Americans, many of whom are desperately poor and denied opportunities, have sold mineral rights to their parcels of land to fossil fuel developers.

This is a basic contradiction for Indigenous peoples: those who see Mother Earth as their responsibility to protect for the next seven generations (a common saying for some Indigenous groups), versus those who want to address their own poverty which seems much more immediate. This is a global phenomenon.

Months of battles with brutal local law enforcement have left hundreds of water protectors facing arrests, rubber bullets, tear gas, concussion grenades, water cannons used in sub-freezing temperatures, serious injuries and brutal treatment when incarcerated. Images of this police brutality against Indigenous peoples and their supporters have galvanized support for the protests and brought thousands of people to the 5-6 camps that make up the sprawling Standing Rock encampment. Tribal elders often look askance at many of the “unofficial” actions advanced by the “Red Warrior Camp” and their allies because they have drawn so much violence against them. Nonetheless, the tribal leaders decry the violence and partisan nature of the “law enforcement’s” savage response. Red Warriors see these direct action confrontations as the reason that Standing Rock has gotten any publicity at all and has attracted the attention and won the hearts of radicals and human rights advocates across the world.

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Photo: Dark Sevier

Life at Standing Rock: Building liberated spaces

Standing Rock has developed massive camps, replete with many cooking tents each serving hundreds at every meal, large-scale donation operations, legal, medical, and psychological counseling services, schools, orientation sessions, and direct action trainings. Each morning and evening people gather around sacred fires and hear information, speeches, and music, and they dance and feel the power of unity.

They are creating a liberated space, a space where progressive people can come together to protect their ideas and their cultures together. The utopian feel of the place is immediately apparent.

Comparisons with Occupy Wall Street and its spin-offs would reveal a much larger, more on-going, and much more disciplined space in Standing Rock. It has captured the imagination and support of hundreds of thousands of people across the planet, from the Indigenous Sami peoples of Norway to workers from all over the US who are angry at the lack of support from organized labor, specifically the AFL-CIO.

The presence of youth is immediately noticeable at the camps though there are plenty of elders and children as well. Supporters mostly camp out and help to winterize the teepee, yurts, army tents, recreational vehicles, camping tents, vans and school buses that create a small city of protest. They are creating a liberated space, a space where progressive people can come together to protect their ideas and their cultures together. The utopian feel of the place is immediately apparent. The pull of such a liberated space is all the more meaningful in the face of US President-elect, Donald Trump. The encampment is simultaneously a historic throwback and a futuristic village of care and commitment to a more egalitarian and caring world.

The parallels with Occupy Wall Street are many—both aiming to build a new way with progressive and humanistic values, addressing the oppression of our people. Both captured the hearts of progressive folks and engaged mostly young people but Standing Rock’s supporters include many more people of color of all backgrounds. The history of Indigenous tribes welcoming people of African descent, especially during slavery, is not forgotten in this solidarity. Standing Rock’s success is grounded in Indigenous cultural values of respect, formal representative decision-making, discipline, and work that is further expressed through a deep spirituality that connects our human activity to the earth. Standing Rock is orderly and behavioral norms are clearly articulated and encouraged, if not enforced.

Naomi Klein, in her groundbreaking book, This Changes Everything, asserts that the climate movement can only be successful if it addresses racial, gender, and economic oppression as its main strategy and if it takes leadership from those most affected by climate change and the savages of capitalism. Without so much explicit language this is evidently what is happening at Standing Rock. The power of this strategy impacts everyone who enters the camp and the movement; the pull of this approach is enormous.

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Photo: Dark Sevier

What lies ahead?

On December 4 and 5, over 15,000 people celebrated the Army Corps of Engineers decision to deny the permit to complete DAPL as planned, but the struggle is nowhere near over. Several factors make for a complex web of possibilities that underscore the necessity of the encampment and wide support to continue.

First, Trump can overturn Obama’s US Army Corps of Engineers’ decision and force them to grant an easement to ETP. That will be challenged in court as the US Ninth Circuit Court of Appeals has ruled that federal agencies cannot change a settled ruling of a federal agency that is based on facts when a new administration takes over. The US Supreme Court declined to take up this ruling, leaving the Ninth Circuit decision to prevail. If Trump tried to get the permit without an environmental impact statement he would have an immediate lawsuit on his hands that would prevent the easement from taking effect, at least immediately. Additionally, Trump’s reported investments in DAPL of $500,000 to $1 million may create a conflict of interest he cannot navigate. Other lawsuits against ETP are already in the courts and proceeding, further slowing down the process.

Further, Trump has talked about privatizing over 56 million acres of Native American reservations in order to facilitate exploitation of the natural resources of those lands. According to the Indigenous Environmental Network, Indigenous reservations cover 2% of US land but contain an estimate 20% of its oil and gas plus vast coal reserves as well. That fight will ignite much more organizing and fight back.

Second, and perhaps most important, are the specifics of the contracts between ETP and Sunoco Logistics, their partner organization in this project, and the dozens of major financial institutions that have invested in DAPL. These contracts can be negated and/or open to re-negotiation if the pipeline is not completed by January 1, 2017. At that point the financial institutions will have the legal right to back out of or diminish their investments. There are dozens, perhaps hundreds, of groups in the US that are pressuring these very financial institutions to drop their investments in DAPL. Many of the pension funds of public workers and others are invested in these financial institutions and supporters are mounting campaigns to uncover them and demand divestment.

Supporters have been cutting up their credit cards and closing their accounts from banks investing in DAPL. The Sightline Institute did a study of DAPL financing and found them to be “rickety”. They found that the value of crude oil has declined by about 50% since these contracts were signed, making the windfall profits from this venture much less likely. They found a sharp decline in oil production that may signal no further need for the pipeline. For some of the investors, DAPL is looking risky on many levels.

Third, ETP has a way to sneak out of the job as well. Their contract indicates that they are not liable for project completion if “rioting” takes place. ETP along with their allies in local North Dakota law enforcement have been calling the direct action by water protectors “rioting”, setting the stage for a possible exit from liability. The demonstrators have been peaceful if sometimes provocative and a great deal of video evidence indicates that the violence has emanated from the law enforcement officers, not the protesters. But “rioting” is the language ETP and the cops use, and for a specific purpose.

Fourth, the popular support for Standing Rock seems to grow with each day and each report of violence against the water protectors. There are similar challenges of fossil fuel pipelines in many parts of the US and they are gathering people to protest in those places as well. The model of encampments, of creating liberated spaces that protect the activists, land, water, and movement, has taken hold. No force will hold that back. From the AIM Spectra Pipeline, slated to go under the Hudson River and immediately past the Indian Point Nuclear Power Station 10 miles from New York City, to the Black Mesa Water Coalition of the US southwest, the struggles to reject fossil fuel infrastructure and to build a sustainable energy economy are everywhere in the US as they are across the planet.

A new solidarity is emerging. A new world is conceived. Its home is everywhere, its people are many.

A new solidarity is emerging. One that has a great deal of potential to unite the left under the joint banners of the oppression of people, particularly people of color, and the oppression of the earth itself. The hope lies in navigating that unity with a vision of solving both oppressions simultaneously. A new world is conceived. Its home is everywhere, its people are many. While its opponents are on the ascent, the struggle continues. Compassion, respect, clear demands and decision-making and solidarity can guide the way.

*The “Energy Transfer Family” of corporations involved in the logistics behind building the Dakota Access Pipeline are: Enbridge, Inc., Energy Transfer Partners, Energy Equity Partners, Marathon Petroleum Corp., Sunoco LP and Phillips 66

Nancy Romer is a life-long social justice activist starting in the tenants rights movement, then the feminist, anti-war, anti-racist, anti-imperialist, union, food justice and, now, climate justice movements. Nancy is Professor Emerita of Psychology at Brooklyn College and now writes primarily on climate movement-related efforts, with particular interest in agriculture and peasant movements in Latin America.

Moving slowly and deliberately at Standing Rock

Photo: Nancy Romer
Photo: Nancy Romer

by Nancy Romer

In this report, I will try to give you a sense of what being at Standing Rock is like. Tonight completes my third day here. The weather has been mostly cold but very sunny. The colors, the sky, but most of all the people are startlingly calm and beautiful. The Standing Rock encampment is defined as a prayer site, a place to contemplate and to appreciate nature, “the creator” (not my words), and each other. The Indigenous people here from just about every tribe in the US and some from Canada are so welcoming and warm to outsiders. They repeatedly say how much they appreciate the presence of non-Indigenous folks and how they want to share with us. They are strict on the rules: no violence of any kind, no drugs, alcohol or guns, respect for Indigenous ways, making oneself useful.

The vast encampment contains 4 or 5 separate but connected camps, some on the Sioux reservation land, others outside.The largest one is immediately off reservation land, Oceti Sakowin Camp; it is the one in which most of the activities happen. The others are either defined by age—elders or youth—or vary by activity. We spend most of our time at Oceti but today I took a long walk and visited two of the other camps just to get a flavor of them.

NO DAPL stands for No Dakota Access Pipeline and signs with the slogan are everywhere as is “water is life”. There is a religious feel to the camps and great respect all around. In many ways this is a very old-style Indigenous encampment and in many ways it feels like a post-revolutionary or post-apocalyptic future.

The pace is slow though everyone seems to move with great purpose. People jump in and do the tasks that seem to be needed: cooking, cleaning, helping each other to put up a yurt or a teepee, chopping wood, tending fires, washing dishes, offering legal, medical or psychological help. Cell and internet service is miserable and probably interfered with by the constant drones that fly above the camps.

For me the most impactful point was respect. They defined that as including slowing down, moving differently with clearer intention and less reactivity.

On Friday I attended a brilliantly presented orientation to the camp. One of the presenters was Maria Marasigan, a young woman who was active in the Brooklyn Food Coalition. It was the best anti-racist training for allies that I have witnessed: succinct, not guilt-trippy, and very direct. The three main rules are: Indigenous centered, build a new legacy, and be of use. They shared the Lakota values that prevail in the camp: prayer, respect, compassion, honesty, generosity, humility, wisdom.

For me the most impactful point was respect. They defined that as including slowing down, moving differently with clearer intention and less reactivity. They suggest asking fewer questions and just looking and learning before our hands pop up and we ask to take up space.

Photo: Nancy Romer
Photo: Nancy Romer

They clarified a gendered division of behavior and practice, including asking women to honor traditional norms of wearing skirts during the sacred rituals (including in the cooking tent) and for women “on their moons” to spend time in a tent to be taken care of and rest if they choose. Somehow it seemed okay, actually respectful, not about pollution and ostracism.

While I was helping out in the cooking tent—my main area of contribution—an Indigenous woman came by with about 10 skirts and distributed them to the mostly women in the cooking tent and we gladly put them on. It served as an extra layer of warmth over my long underwear and jeans. It was not what I expected but it seemed fine to all of us. We just kept chopping away at the veggies.

Later that day I attended a direct action training that was also quite thorough and clear. Lisa Fithian, an old friend from anti-war movement days, lead the training and explained how to behave in an action and how to minimize police violence. Lisa, along with two other strong, smart women, one Black and one Native, laid out a plan to do a mass pray-in in town the next day. My New York City travel companion and I both felt that we couldn’t risk arrest and decided not to join that direct action but to be in support in any way we could.

At 8 am the next morning about 100 cars lined up in convoy formation at the exit of the Oceti Sakowin Camp, each with lots of passengers—including some buses and minivans—and went into Manwan, the nearest town. The Indigenous folks formed an inner circle and the non-Indigenous formed a circle around them. The Indigenous folks prayed, sand and danced. The tactic was exercising freedom to practice their religion while protesting the Dakota Access Pipe Line. No arrests were made despite massive police and drone presence. One local man tried to run over a water protector but she jumped aside; the man had a gun but was subdued by the cops. Lots of videos were taken and the man was brought to the local jail.

On Saturday I finally got a press pass as I got a request to cover the encampment from New Politics, a print and online journal. That gave me the right to take photos (otherwise not allowed), but still limited—no photos of people without permission or of houses or horses, again without permission from the people with them. I set out to interview people at the various camps and to get a sense of what people were planning to do for the winter.

I spoke with Joe, a part Lakota from Colorado who had been raised Catholic and attended Indian residential schools, taken from his parents by the state because they doubted the ability of the native community to raise their own kids. He said it was brutal. When asked why he was here, he replied, “This is the first time since Little Big Horn that all the tribes are uniting against a common enemy—the black snake—the pipeline that will harm our water, our people. This unity is making us whole.”

Photo: Nancy Romer
Photo: Nancy Romer

At Rosebud camp just about a 1/2 mile from Oceti, I discovered a group of people building a straw-bale building that was destined to become a school. Multi took a break to tell me how they came to create this project with the full collaboration of parents and kids in the camp. Their project grew out of a team of people from Southern California who are builders and designers who use earth and straw as materials creating almost no carbon footprint and providing both strength of structure and extraordinary insulation—very important for a windy and cold winter ahead.

“We spent five days gathering ideas from people at the camp as to what they needed. They decided on building a school for the many kids who might stay the winter or come and go over time.The parents and kids helped to design the structure with the builders.”

Multi told me, “We didn’t want to bring the colonialist idea of what was needed and just tell people at the camp. We spent five days gathering ideas from people at the camp as to what they needed. They decided on building a school for the many kids who might stay the winter or come and go over time. The parents and kids helped to design the structure with the builders. All the decision-making was ‘horizontal’, engaging everyone with equal voice, avoiding hierarchy. It will be a one-room schoolhouse with nooks for specific tasks and will serve K-8th graders.” A teen center is being built nearby.

When I visited there were five women and one man working on the project and they welcomed any help they could get to finish the project before the cold sets in. When I asked Multi why she was doing this project she said, “For me this is about coming together as a global culture, a people who have the resources we need for future generations. We are here to protect our futures together. Building a schoolhouse is a manifestation of that ancient technology for our future together.”

“This is all about the water and who lives downstream. We are testing a new economic system that requires governance, self-governance from the ground up.”

Down the road I met Danielle who was helping to build a multi-purpose center housing a kitchen, dining area and meeting room. She told me that “This is all about the water and who lives downstream. We are testing a new economic system that requires governance, self-governance from the ground up. The needs must evolve for us to create a system that will fit them.” She is particularly excited about engaging people to serve and to be united, to be able to work together with their passions for service, to be happy together in this way. The materials for the building were donated by people from Ashville, NC and were deeply appreciated. All over the camps one sees evidence of creative problem-solving, cooperation and contributions brought from afar. The “donations” building is brimming with winter clothes (adults and kids), foods of all kinds and practical items.

I was particularly interested in the many families that were at the camps, including lots of kids of all ages, including infants. One family from Boulder, Colorado, with 8-year old Oscar and 11-year old Audrey, were unpacking their car when I came upon them. Their mother, Susan, said, “We are here to support the protest and to have our kids learn from it. I want my kids to understand that we do what we can to take care of the water and support the Indigenous people. To step it up these days we have to hold some ground. This is one of the places we can meet. It would be great if Obama would release the land and kill the pipeline.” Amen.

I encountered a father-son pair from Manhattan. Fourteen-year old Declan Rexer learned about the encampment from a single segment on MSNBC news but couldn’t find anything else about it in the corporate media. He was particularly upset by the police attacks on elderly protesters. He then went to alternative and social media and found an enormous amount of information. His interest grew and his father, William Rexer, decided to bring him out to North Dakota to learn for himself.

They plan to bring back lots of information for Declan’s classmates and encourage more people to come out to see for themselves. William, a media professional himself, connected with some of the young documentarians at the camp and will provide some material support to them in order to advance their work.

“I’ve been here from the beginning and I will stay to the end. All winter if that’s what it takes. We have been colonized and divided for 500 years.”

I spoke with Joseph, a Salish man from Montana. I asked him how long he was planning to stay at the camp. He told me, “I’ve been here from the beginning and I will stay to the end. All winter if that’s what it takes. We have been colonized and divided for 500 years. This is our time to unite and resist. We must protect our water and our tribes.” He thanked me for coming to Standing Rock and being an ally. He asked me to tell my friends to come out and join the encampment, to be water protectors.

Generosity is evident all over the camp. I particularly love working in the kitchen, a huge army tent with large tables, stoves and lots of equipment. On each of the two days that I worked in the kitchen there were about a dozen people busily working in happy unison. There was a chief organizer and then 4 or 5 people who were in charge of a particular dish, each with 1-3 assistants. I was an assistant, happy not to have to mastermind anything. The chatter amongst the workers reminded me of the Park Slope Food Coop squads where people work together with shared goals. As one man put it, “We come together here with one vision. We are building a new world together.”

I am moving slowly and deliberately and thinking about the world we need to build together, on a much larger scale.

While I attend trainings and sacred fire circles, chop veggies, talk with people, drive people around, and walk around the various camps, I am struck by how happy I feel. Sure, this is temporary. Sure, this is not my “real world”. But it is a lovely world, a loving world, a kind world, where each person is greeted with kindness. Young men and women ride through the camps on horseback, connect to ancient traditions, and bask in the glory of a shared culture of resistance. I don’t come from this culture but I do support their determination, their right to protect their land and water and people, their valiant attempt to build a better world. I am moving slowly and deliberately and thinking about the world we need to build together, on a much larger scale. Can we decide to be kind to each other, to collaborate, to try to remove ego from our day-to-day practice? I don’t know the answer to these difficult questions. But I do know that when people share a common struggle we can be beautiful. I bask in that beauty at Standing Rock.

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Photo: Nancy Romer

Nancy Romer is a life-long social justice activist starting in the tenants rights movement, then the feminist, anti-war, anti-racist, anti-imperialist, union, food justice and, now, climate justice movements. Nancy is Professor Emerita of Psychology at Brooklyn College and now writes primarily on climate movement-related efforts, with a particular interest in agriculture and peasant movements in Latin America. Read their first report on life at the camp here

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Regeneration and revival, beyond survival

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Photo: Sam Fentress

by Shaina Agbayani

(1) land

“Revolution is based on land. Land is the basis of all independence. Land is the basis of freedom, justice, and equality.”

-Malcolm X, 1963


When I was in Luzon this past year, burning sambong allowed me to connect & celebrate the two sacred lands that have given me life. Sambong is a philippine plant medicine, a cousin of Turtle Island sage.

*Turtle island is the name given by several Indigenous cultures to what Europeans have called “North America” since colonization.

Burning sambong became a ritual that reminded me of my braided creation story, raised by a Turtle Island aunt and Philippine mother that have both given me life. Amongst many other medicinal plant beings that connect Turtle Island to the Philippines, partly as a result of Spanish colonial trade relations, are tobacco and corn, both of which hold their places in the stories of my elders’ childhoods.

The more i reflect on my relationship to these two lands, the more i come to relate to Turtle Island as an aunt who was forced to take me in under conditions of violence & force, and yet still has loved and given so much life to me, and the Philippines as the mother whose many children have left her because colonial pillage has fragmented, objectified, and violated her in ways that make it hard for her take care of many of us.

After spending committed time in solitude with mother earth in my ancestral lands for several months this past year, I came back to Turtle Island with a deeper sense of reverence for this Aunt who has taken so much care of me and enabled my life under conditions of settler colonial violence.

 

(2) life

I keep returning to the question of how i can integrate practices of love and care into my everyday survival in a way that will allow me to go beyond surviving to regenerating my self, ancestors and an-sisters, cultures, and the communities and lands that allow us to be. For me this has meant that prayer, song, connecting with plant and element friends, dance, and other body connection practices form intentional rituals in my life. They have become forms of regenerative medicine,  my body being the land that cultivates and carries them regardless of where i am in the world. More broadly, i ask myself how communities and lands impacted by deep colonial harm can not only survive but regenerate in the context of systemic subjugation, extraction, and violence.

At this year’s annual March for Missing and Murdered Indigenous Women, I noticed the powerful smell of burning sage and the use of other sacred medicines. This, as well as the presence of song and dance, brought spiritual, emotional, physiological healing to the march while reviving Indigenous ceremonial practices. It reminded me of how incorporating traditional practices of care and creativity—specifically when these practices are led by people from the communities they are indigenous to—can transform the often sanitized, colonized, cold spaces of marches. I often wonder how spaces of mourning and loss can be transformed into spaces of cultural revitalization. The singing, dancing, and burning of plant allies at the march felt like forms of cultural resurgence as people viscerally connected to their creation stories through medicine and their bodies.

At the march, Ellen Gabriel spoke of how we cannot wait for the state and the law to protect and honor Indigenous womxn. She also stated that the protection and celebration of Indigenous womxn’s lives requires a cultural shift whose embodiment the law cannot ensure. In this way, she speaks to how politics based on gaining visibility and recognition under the legalistic terms of the nation-state is limited in its capacity for revitalizing indigeneity, healing inter-generational trauma, and ensuring the regeneration and celebration of Indigenous womxn’s lives.

Photo: Stacey Gomez
Photo: Stacey Gomez

In the same vein in the paper “Anger, resentment and love: fuelling resurgent struggle, Leanne Simpson asks us to reflect on this connection between the violence against Indigenous peoples, the land, and the politics of recognition under the state .

“I am a bigger threat to the Canadian state and its plans to build pipelines across my body, clear cut my forests, contaminant my lakes with toxic cottages and chemicals and make my body a site of continual sexualized violence. What if we collectively and fully reject the politics of recognition in politics with the Canadian state? What if we collectively and fully reject the politics of recognition in our mobilizations and organizing? What happens when we fully reject the politics of recognition in education? Where do I beg the colonizer for recognition in my own life? Why?”

 

(3) body

“Our backs tell stories no books have the spine to carry”

-rupee kaur, poetess and spoken word performer. From the poem “Women of color”

While in the Philippines, I felt on the deepest level the truth that our bodies are the land. The silent time of solitude i took to be on the sacred Mt Banahaw and in other spaces of unconcretized, respected earth were truly the most powerful and transformative times of connection to my body & ancestors.

As a queer femme filipinx performer, provider of emotional labour and care work, and as daughter, niece, cousin of many filipinx people who have worked dedicatedly as care & domestic workers, I’ve experienced how my body and other racialized feminized bodies become sites of consumption, fetishization, and energy extraction through, for example, underpaid, unpaid, and industry-specific labour that tends to be domesticated or sexualized.

As a performer and as someone who is often asked to do emotional labour in specific ways, I’ve experienced how the values and stereotypes ascribed to my brown feminized body as a site from which to extract energy connects to the way that colonial-capitalist institutions relate to the body of our mother earth as a site for resource extraction through, for example, mining and fracking.

And so I feel what many Indigenous womxn visionaries like Leanne Simpson and Amanda Lickers of Reclaim Turtle Island have expressed in different ways—that asserting the bodily self-determination and sovereignty of womxn and queer folks, especially those most impacted by colonialism, is intricately linked to asserting the self-determination and sovereignty of the land. As such, both womxn’s bodies and the earth are sacred sites through which communities, cultures and institutions can be made to reproduce colonial values. Womxn play a distinct role as culture-bearers, and the cultures we bear reflect and are enabled by the lands we inhabit.

Image: Shaina agbayani
Image: Shaina agbayani

 

(4) remembering womxn and land through song and dance

The babaylan in Filipino Indigenous traditions is a person, usually a womxn, who, according to Leny Strobel, director of the Center for Babaylan Studies, “is gifted to heal the spirit and the body; the one who serves the community through her role as a folk therapist, wisdom-keeper and philosopher; the one who provides stability to the community’s social structure; the one who can access the spirit realms and other states of consciousness and traffic easily in and out of these worlds; the one who has vast knowledge of healing therapies.” As noted by Grace Nono in “Songs of the Babaylan”, many babaylans integrate song and dance as part of their healing, spirit, and land connection practices.

The babaylan were seen as a threat to colonial powers because of their strong connection to traditional cultural practices, their dedicated and intimate relationship to the land, to spirit worlds and to plant and medicine allies, and their commitment to preserving all these land-based connections.  Christianization and colonization involved the regulation and removal of Indigenous community connections to the land and suppression of philippine Indigenous spiritualities. As part of this, babaylan traditions were forcefully regulated, and babaylan were demonized as witches or brujas and subjugated—forcing many to go into hiding or minimize their visibility.

In September, I was present at the Babaylan Conference, themed Makasaysayang Pagtatagpo (Historic Encounters): Filipinos and Indigenous Turtle Islanders Revitalizing Ancestral Traditions Together. It was hosted in Coast Salish Territories—an unceded territory within what settlers call British Columbia. The conference has been happening in Turtle Island since 2013 and strives to “build and strengthen our Filipino communities in the diaspora through the sharing of Indigenous Knowledge Systems and Practices (IKSP)”. This year’s theme focused on questions of how to meaningfully connect with Philippine Indigenous knowledge systems and spiritualities in a way that engages with the realities of our presence on Turtle Island.

Photo: Maileen Hamto
Photo: Maileen Hamto

During the conference, I co-guided “Queer Earth”, a session by and for queer participants. A central intention for me was to invite reflections on the role of song & of queer folks (and queer song!) in movements of re-indigenization. Specifically, I wanted to reflect on (1) how we might re-connect to our intuitive, embodied ancestral knowledge to return energies to mother earth through ritual and specifically song and (2) how my relationship to being queer is deeply rooted in a relationship with the earth which embraces fluidity, diversity, connection, negotiation, and reciprocity not just in relation to gender and sexuality, but in my relations to all beings, and (3) how these two might intersect.

Photo: Nicanor Evans
Photo: Nicanor Evans

What ended up organically emerging was a collective grieving of our queer ancestors—from our unknown queer ancestors, to our queer aunts and uncles within our blood and chosen family—which was marked by spontaneous song, lots of crying, prayer, and oral reflections of what brought us to the room. While communally mourning the lives of those passed, we also collectively and musically affirmed our queer selves, and held one another’s queer stories and the emotions and hopes that sprung from them. In the session I felt a release of grief through my own mourning, a release that seemed to be collective as I witnessed others’ mourning, and shared reflections with participants about the session afterward. One of the co-facilitators, Will, mentioned this was the first markedly queer congregation at the conference since its inception, which left me feeling like this process of queer mourning of lives passed was also inherently a process of queer resurgence.

For me, the organic emergence of song with the percussions we made out of our bones and tongues deeply reverberated through and revitalized my emotional, physiological, spirit self. I felt the truth held by many Philippine Indigenous knowledge systems that storytelling through song is a way of connecting to and enabling the survival, return, and celebration of our an-sisters. As Grace Nono notes, in many babaylan Indigenous traditions, song helps to connect to the spirit world in a way that can and does bring back our an-sisters and ancestors, revitalizing our connection to our selves, the earth, our ancestors, and cultures.

At the conference, I also reflected on the role of dance in revitalization while  witnessing the collaboration between two dance groups. Butterflies in Spirit is “a dance troupe made up of mostly family members of Missing and Murdered Indigenous Women that raises awareness of violence against Indigenous womxn and girls across Canada. BIS commemorates the victims of violence in Vancouver and across Canada”. During and prior to the conference, Butterflies in Spirit collaborated with the Kathara Philippine Indigenous Dance Collective in a fusion of contemporary hiphop with traditional dance choreographed by PowWow dancer Madelaine McCallum and with live musical accompaniment by Kathara.

Photo: Maileen Hamto
Photo: Maileen Hamto

The dances at the conference re-created many stories of rebirth and renewal through depicting the metamorphosis of butterflies, the migratory flight of birds, difficult journeys through sacred waters, and the welcoming of nations after long journeys. Dance can be a form of community practice that celebrates cultural life through remembering creation stories in movement, nurturing communal bonding, and affirming relationships with spirits & the land through connection with the body and with emotions. The embodied stories I witnessed reminded me that amidst all the dispossession and violence against brown bodies and lands, communal practices of re-connection with body, culture, and land are well alive.

The collaboration reminded me of what Leny Strobel, director of the Center for Babaylan Studies, said during the conference that “we are not people separated by land, but people connected by water.” I viscerally felt this as I witnessing the dance against the backdrop of the Sunshine Coast’s waters, which summoned my inner waters to well up through my eyes as I watched.  I left the conference being reminded of the regenerative role that song and dance can play in our movements for healing and justice.

 

(6) (in)visibility and (ir)recognition beyond the nation-state

“While theoretically, we have debated whether Audre Lourde’s “the master’s tools can dismantle the master’s house”, I…I am not so concerned with how we dismantle the master’s house, that is, which sets of theories we use to critique colonialism; but I am very concerned with how we “re” build our own house, our own houses. I have spent enough time taking down the master’s house, and now i want most of my energy to go into visioning and building our new house” -Leanne Simpson, Dancing on Our Turtle’s Back

“The inner resources of the people that cannot simply be reduced to resistance. This – cultural energy – is also power – but it is a power not meant to dominate nor resist but creatively for a people to become themselves.”

-Albert Alejo, Generating Energies in Mount Apo

In my experience within the social justice communities of Tio’tia:ke—the Kanien’keha or Mohawk word for Montreal which means “where the currents meet”—creative & spiritual practices such as our song & mourning circle in the conference—are less valued forms of activism than more visible, outward, street-based, masculinist, and legally-oriented forms. Activism is often based on making certain peoples, identities, communities, movements, and goals visible and legitimate within a legal, nation-state framework that measures value through positivist, hyper-visible, masculinist, standards. This often looks like demanding for “rights” on the streets and in the courts, on the terms of the nation-state’s legal and political frameworks.

I am forced to adopt these frameworks of being recognized by and visible to nation states for purposes of mobility whenever I travel across the border and am asked for my passport which upholds my “Canadian” nation-state settler-colonial status, and when I apply for my passport and must choose one of the two genders recognized by this nation-state. The nation-state’s visibility and recognition are part of my existence. Its laws and institutions impact my existence even if i would like to opt out of and become invisible from them.  

In some ways, I value making visible the invisibilized, for example in remembering those who have been made missing and murdered by the settler colonial nation state, and in making visible the invisibilized, un(der)paid emotional, spiritual, labour of the black, brown, Indigenous, racialized bodies on which the nation-state depends. I cannot refute that visibility does matter when nation-states regulate many of our lives, and that visibility can be an important way for people to, for example, survive through accessing resources that the nation-state is a gatekeeper of.

Yet we need to remember that these are by and large resources these institutions, and their agents, have violently extracted from the labour, lands, and communities of those from whom they gatekeep these resources. And as as I move toward a place of imagining how to commit to regeneration (of the lands, waters, self, culture, ancestry, and communities that give me life) beyond survival, it becomes undeniable to me that nation-state legal frameworks are based on upholding and glorifying the state as a place to merely ensure the bare survival of racialized people, especially Black and Indigenous womxn. The movements to grant the earth and queer people recognition and protection under the law, such as the global movements toward legalizing and decriminalizing queerness and the “granting” of “people status” to lands and rivers are done in an unequal, western, human-centered power relations where the state at the end of the day gets to set the terms of who is granted protection from state violence itself.

The nation states of Turtle Island have been built on systemic violence against racialized, specifically Black and Indigenous, peoples through impoverishment, dispossession, disappearances, killings, mass incarcerations through the prison industrial complex, resource extraction, and food apartheid that sickens and poisons—slowly and fastly kills—communities. And the more that these realities of this nation-state violence are revealed to me, the more clear it becomes that the legal framework of rights and recognition through which it operates is invested in the bare minimum of survival for Black, Brown, and Indigenous communities.

So the question this begs for me is: do I actually want visibility from the nation-state, or is it precisely invisibility that I want? Of course, the answer to this is very contextual. Nonetheless, I feel strongly that the choice of invisibility and un-recognition from the nation-state as forms of surviving and thriving is invaluable in our recognition and rights centered political/social/spiritual landscape.

Invisibility from the state can enable the conditions for survival, sovereignty, and self-determination, and therefore resurgence and revitalization. During the Japanese occupation of her village in World War 2, my grandmother was given a medallion from her grandfather to make her and her home invisible from Japanese soldiers. Her home was the only one not burnt down in her village. She’s here, I’m here (and queer!), and we’re hella regenerating, fueled by our love for one another and our communities. It is precisely in invisibility from the state that many off-grid Indigenous, Black and Brown communities are co-creating for themselves the conditions to thrive and regenerate beyond the conditions of regulated survival on which the nation-state is built.

 

(7) regenerative medicine: love & creation stories

“You can keep your political purity. I choose love.”

-Lindsay Nixon, an anishinaabe-nehiyaw writer, curator, community organizer, and researcher currently residing in Tio’tia:ke/Mooniyang (Montreal), Facebook post. May 23rd.

Normative political activism for me has too often been devoid of the loving—nurturing, caring, sustaining, (re)creative—energies that make the process of working toward justice feel loving, just, life-giving, regenerative, sustainable.

Activism that celebrates what has been made invaluable and invisible—from all the emotional, cooking, cleaning, & care work that sustains us to the spirit world with whom we co-exist—not only complements legalization efforts to recognize and protect, but is necessary if we want to go beyond survival and de-colonization to regeneration and re-indigenization. I want to commit to an activism that celebrates our connection to all the invisibilized lineages, labour, histories, her-stories that transmit to us and enable our (re)creation stories of past, present, and future.

Of course, there is no one linear, one-size-fits-all way to survive and thrive under all circumstances for all peoples. A diversity of tactics makes sense for the unique, dynamic, fluid, ever-changing times and spaces that call for the heterogeneous “us” to survive and thrive. I am not here to tell people to stop petitioning nation-state governments when the state has a real, violent, impact on our lives. Rather, I am affirming the value of acknowledging and challenging the systems of harm that often prevent us from surviving, and inviting us to reflect on how we can co-create conditions to sustain and regenerate ourselves through harnessing love within our communities independent from the nation-state. This is a call to transmute the (very valid) rage against destructive systems that harm us into energy that allows us to regenerate and sustain one another through nurturing love for ourselves. This regenerative self-love requires knowing, remembering, and re-creating ourselves.

Perhaps through taking the time to mourn and remember those who have enabled us to be here, by breathing, by offering our sisters food and feeding ourselves, or offering our ancestors food on our altars. Perhaps this knowing comes through story-telling, perhaps through song, perhaps through dance.
#waterislife, we cannot dance without water

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Two Spirit Warriors & Water Protectors Camp

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Photo: Nicanor Evans
Photo: Nicanor Evans

Shaina Agbayani is a queer femme broom-wielder butterfly-singer, film-maker, dancer, cook, fermentation-fairy, cleaner, and co-creator of beat:root and re:bodies. She resides between different parts of luzon and tio’tia:ke in kanien’kehá:k, haudeonsaunee lands. She keeps offerings at https://queererth.wordpress.com


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Decolonisation in Europe

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Sofia Jannok at Standing Rock. Photo: Jeff Schad

by Rut Elliot Blomqvist

The European core nations have colonised the world. This system is not only based on the unequal exchange of land and labour—as the anthropologist Alf Hornborg has shown in Global Ecology and Unequal Exchange—it is also on the verge of making the planet uninhabitable. So the world must be decolonised. But what would it mean to decolonise Europe? How do we decolonise the core of the world system—the area of the world that gave birth to colonialism itself?

 

Another world exists

In the north of Scandinavia, there is an Indigenous culture that has persisted against colonisation. The land is called Sápmi. The Sámi, like all Arctic Indigenous peoples, are experiencing the severe effects of rapid global warming and decolonisation is now more than ever a matter of survival.

Sofia Jannok is a songwriter, yoiker (yoik is a traditional Sámi vocal style), and pop singer; activist, environmentalist thinker, and reindeer owner. Through her words, melodies, activism, and existence, Jannok pushes for decolonisation. The title of the last song on her latest album ORDA: This Is My Land is “Noaidi,” a Northern Sámi word that means shaman but that she also translates as “Decolonizer.” The noaidi drives out the colonisers and their mentality. The noaidi reveals another world, a story that has been silenced in the history of the Swedish nation state.

For me, the encounter with Sofia Jannok’s music and stories opened the door to a new world-view. I am an urban middle-class Swede brought up to think that industrialisation is necessary and that this mode of production combined with better welfare distribution means progress for all. I have always had a nudging feeling of something being wrong with the story I have been told but other narratives are rarely given space in the media, nor in the academic contexts or political organisations I have been part of.

I was able to interview Jannok to explore the connection between her music, the decolonisation of Sápmi and of Europe, and the necessity of Indigenous rights and Indigenous peoples’ perspectives for all of humanity. This article tells the story of the other world that already exists in Jannok´s Sápmi. I weave a pattern of our conversation, her songs, images of what her stories make me feel, and examples of colonisation past and present.

Jannok and I begin by talking about music. I ask her about the role of music in Sámi decolonisation work and she emphasises that the increased focus on Sámi musicians and artists in the Swedish media often misses the historical ties between artistic expression and political struggle in Sápmi:

The national media in Sweden are only now opening their eyes to what is happening in Sápmi, because music is bringing these things to the fore. But music has always been an essential part of the decolonisation work that Sápmi has undertaken for as long as I have lived and long before my time.

She tells me that she sees her voice as a continuation of the voices of the past. Some of her influences, or precursors, are the yoikers, musicians, and activists Áillohaš (Nils Aslak Valkeapää) and Mari Boine. She also mentions all the music that came out of the action in Alta in Norwegian Finnmark in 1981—a manifestation, Jannok says, that made Norway take Sámi politics seriously, leading them to open a Sámi parliament and sign ILO 169 (the UN convention on Indigenous peoples’ rights, which Sweden still has not signed).

I continue what previous generations started: mirroring the contemporary world—as art always does, or at least I think it should.

Indigenous art can be an important mirror: it reveals parts of reality that are obscured or distorted by the colonial mirrors that dominate many people’s view of the world:

It’s through art and culture that we can look back on what another time was like. From my perspective, neither history books nor the media are impartial. With regard to us in Sápmi, an efficient way of obscuring and oppressing is to say that we don’t exist at all. And because of that I think that art and culture and music gives a more fair and true image of reality, because it is told through the eyes of the ones who experience it. All over the world, the history of Indigenous peoples has mainly been told by the colonisers and of course that yields a pretty slanted image and a very short-term perspective too because the time that colonisation has been going on is only a second if we compare it to how long we have existed on the earth.

Through a decolonised picture of reality—this is how we can see the other world that is possible.

 

Colonial blindness and Indigenous grief

On her latest album ORDA: This is my land, Jannok has a song that contrasts these two reflections of reality—the colonial and the Indigenous one.

Grieving: Oappáide”

Not grieving the loss of you home sweet home

Not grieving your walls that for all times are gone

Not grieving, because they were already gone

Your house was built on an old woman’s home

 

I’m grieving the wide open wound that I see

When will they understand when to let be?

I’m grieving for her because she lost it all

Under your kitchen floor buried is her soul

The first time I heard this song, all illusions about the goodness and soundness of my society started to melt away. I felt that it spoke to me; that I was the “you” that this song is directed to:

I—the grieving Sámi.

She—our mother, the earth.

The kitchen—the food, energy, of the colonising world, which has buried our mother’s soul.

You—the blind people in the colonial state, who do not see what they have lost.

They—the core of the Swedish state, which colonised Sámi land and whose colonial project is ongoing.

Like the Indigenous peoples of Turtle Island (North America) who are right now protecting their home and the earth from the Dakota Access Pipeline and the expansion of the Tar Sands, Jannok and the Sámi see that the colonising industry wants to “steal our mother”—a line from Jannok’s song “We are still here”—and so they are protecting the land, water, air that we all depend on. Jannok was in fact part of a Sámi group that went to Standing Rock in North Dakota to show their support for the activists there.

But the core of colonial society in Sweden contests the parallels between the Sámi and other Indigenous cultures. On ORDA: This Is My Land, Jannok shows this very clearly by including excerpts from a hearing in a court case between the Sámi reindeer herding community Girjas and the Swedish state—a case that Girjas won, though the state has appealed and a new trial will be held in 2017.

In the hearing the State calls a witness, a non-Sámi resident of Finnish Sápmi, who voices the opinion that the Sámi are not an Indigenous people and that the colonial theories that have been developed “for North America and Australia” do not apply to “Lapland” (or Swedish Sápmi). Jannok explains why she contests this claim on her album:

I draw parallels to other Indigenous peoples precisely to debunk the opinion that Sámi people aren’t Indigenous. As if that was an opinion when it’s fact, and facts are facts and can’t be overlooked: the Sámi are an Indigenous people. The opposite is to claim that the earth is flat and try to discuss from the starting-point of the earth being flat when we have already agreed that the earth is round. Let’s start the discussion from there. We are an Indigenous people. Grant us our rights, that we have maintained for ourselves for thousands of years.

This fact does not stop the Swedish state from telling its own story about the Sámi. In one of Jannok’s samplings from the hearing, the state attorney questions the concept of ethnicity and its relevance to the description of the situation in Sápmi. Listening to this, I remember the music video to Jannok’s song “Viellja jearrá” (“Brother asks”) where the history of racial biological studies on the Sámi is shown. In the light of the history of Swedish eugenics, we can begin to understand the degree of disrespect shown by the state when it now refuses the Sámi the right to define themselves as an Indigenous community. The state in the past studied the Sámi as a “lower race” and now instead wants to do away with the concept of ethnicity. It is hard to find a better example of how Sámi politics are reframed to suit the political agenda.

The state attorney also says that “the State has done its utmost to regulate the reindeer husbandry trade in a generous way” and that “the Sámi have not been subjected to discrimination by the State”. These types of statements can feed widespread prejudices in Sweden about the Sámi as privileged—prejudices claiming that the Sámi both receive special privileges to keep reindeer and benefit from modern infrastructure and technology. What these claims entirely leave out is that the Sámi did not choose to be incorporated into this modern industrial society. The state never asked the Sámi if they would like to abandon a subsistence lifestyle for a professional, regulated reindeer trade.

Part of the decolonisation work is to confront this racist discourse about Sámi privilege. An example of this in Jannok’s music is one of her most fiercely political songs, “I Ryggen på min Kolt” (“In the back of my gákti”—gákti being the Sámi word for a traditional regalia) which is directed at the Swedish state and its double standards; when it wants to use Sámi culture for advertising in the tourism industry but not grant Sámi people their rights. She sings:

Du söndrar mellan grannar som lärt sig leva bredvid varandra

Sprider lögner om min familj, mitt folk

Dina ord en dolk

Rakt i ryggen på min kolt

 

You’re sundering neighbours who’ve learnt to live next to each other

Spreading lies about my family, my people

Your words, a knife

Right in the back of my gákti

The song reveals how, in a classic case of “divide and conquer,” the idea of Sámi privilege is used by elites to play out oppressed groups against each other. There are numerous examples of what this sundering of neighbours has led to today—ranging from racist comments on the internet, verbal harassment, and vandalisation of Sámi language road signs, to hate crimes such as assault and battery, killed reindeer, and arson of lávvu (the Sámi equivalent of the North American tipi).

But “I ryggen på min kolt” tells us that this racism was not always there, that we are all being told lies about the Sámi and the history of Sweden and that this is creating enmity. Decolonisation requires retelling history.

 

Decolonising history

The slanted colonial story of the past and present has been and is motivated to a large extent by the mining industry which has fed the modern Swedish economy, although colonisation through farming settlements goes back several hundred years before this as well. The “golden age” of social democracy and the welfare state was funded by the unequal exchange of land and labour between the core and periphery in the Swedish territory. Jannok, in her work, unearths this inconvenient truth:

Snölejoninna: Snow lioness”

Antirasist my ass,

när du inte ser från vem du snott all din cash

Han, hon, hen “son”

av oss stal du landet en gång

Urfolkskvinna, snölejoninna, jag är regnbågen på din näthinna

jag är allt det men jag är mer, “mon lean queer”,

har funnits här i tusentals years

 

An outspoken anti-racist, my ass

You don’t even recognize the people from whom you’ve stolen all your cash

Son”, he, she and ze;

Once you stole this land from me

A native empress, the rainbow you see, a snow lioness; well, all that is me

All of it, yes it can all be found here, yet I am something more, as I am queer

Residing here for thousands of years

(“Son” is the Northern Sámi third person singular pronoun, which is always gender neutral.)

This song shows the reality of the resource flows in the colonial-industrial economy, but its focus is on the Sámi as dynamic, as queer—without even a grammatical gender divide—and diverse. It is about telling her own story about who she is and can be, or could be. Jannok says:

“Snowlioness” is partly about how the box that society wants to squeeze me into doesn’t have to be a box. Instead I can be all of this and still have the right to be Sámi.

“Diverse” is a good word to describe both Jannok’s Sápmi and the history of northern Scandinavia. The nomadic Sámi population and the settlers of the north coexisted in the past and both groups benefited from their cooperation. Some non-Sámi people had reindeer and many farmers housed Sámi families on the move between summer and winter pastures.

This decolonised story of the past is slowly gaining space in mainstream media because of the music and activism of people like Jannok, and finally also in some history books. One of these books is Urfödan: Om självhushållets mat hos folk i Lappland (Ancient food: On the food of self-sufficiency among people in Lapland) in which Lillian Ryd interviews people from the last generations of both settlers and nomads who lived traditional, self-sufficient lives in northern Sweden before industrialisation all but erased these livelihoods. Through such stories about the past, we can begin to see that the people who benefited from the exploitation of land and labour in the north of Sweden were responsible both for the colonisation of Sápmi and for taking the land away from farmers through the 19th century enclosure movement (“Laga Skifte”).

What has happened to people’s livelihoods in this process is that they have been incorporated into the industrial structure of big society. This is true for both the Sámi and the settlers. One example of this that Jannok mentions in our conversation is the state’s regulation of reindeer herding:

The term “renskötsel” (reindeer husbandry) alone is a very clear example of how society has wanted to label a lifestyle to enter it into its laws and regulations, and then deciding who can do reindeer herding and not. To have zero experience, not even having seen a reindeer or visited a reindeer herder’s everyday life, and still regulate and make decisions that don’t match reality. So you only see the tip of the iceberg if you see a privilege.

The traditional lifestyle of the Sámi has in modern history been undermined by the establishment of national borders, mines, the forest industry, hydroelectric dams, military test ranges, and wind parks. It has also been attacked culturally through eugenics, boarding schools, forced sterilisation, and forced Christianisation—which among other things entailed a ban on yoik. Then, after these atrocities, the state came up with the term renskötsel—a word that, Jannok says, doesn’t even exist in Sápmi traditionally—in order to incorporate this lifestyle into an industrial-professional economy. Reindeer-owning Sámi people became professionals in the reindeer food business. Sámi people who did not own reindeer lost their legal right to be Sámi, Jannok adds:

This led to internal conflicts and differences between Sámi people and Sámi people, which has severe consequences even to this day.

If we look beneath the surface, what we see instead of privilege is the attempt by a colonial state to eradicate an Indigenous population:

For the Sámi, the equation doesn’t add up, and it will be the death of us unless someone listens soon. That’s the way it is. This is an Indigenous culture and it depends on the right to land and water and the reindeer and our settlements. Every day that you infringe on these rights it becomes a little harder for us to survive. We have nowhere to go anymore. That’s just how it is. And it doesn’t add up. It doesn’t add up.

Hearing these repeated words, I feel the grief that Jannok sings and yoiks in “Grieving”. I feel called on to share a decolonised story of our past with all those who still take out their sense of loss and their anger on the Sámi. Stockholm, Oslo, Helsinki, or the world market should be the target of everyone’s anger, and we should work together to build other ways of living with the land—our mother.

 

Another world through consensus-based decision-making and Indigenous knowledge

There are alternative ways of living—we do not have to sabotage the home we live on in order to live good lives. In fact, if we exploit and pollute the earth, then none of us—like the Sámi now—will have anywhere to go. Colonial society is blind to this. Jannok explains that it is much clearer to her than to many others since she has had the benefit of growing up in a family that is entirely dependent on what nature gives.

The relationship to the earth, Jannok says, gives Indigenous peoples an insight that is lost in the industrial core countries of the West. So, as one decolonisation strategy, could we perhaps imagine a Sámi council in Sweden that advises on environmental issues and pushes back colonial-industrial values from decision-making?

Absolutely. We even have an example of this in the management of the Laponia world heritage area which is located in a very large part of Swedish Sápmi. Sápmi has fought seven hard years to get a majority on the board. Now every decision has to be reached through consensus, which is a typical way to reach decisions in reindeer herding communities.

Majority rule doesn’t work if you are Sámi you know, we’ll lose every vote. We are so few. There are alternative ways of solving it. I really believe in a council where Sápmi actually has the right to say something. Because as it is today there is supposedly consultation and dialogue around every infringement on Sámi land—with LKAB for instance, a large mining company, if they want to prospect for minerals, then the Sámi community is supposed to have a say—but that’s not how it is in reality.

You can voice your opinion but no one takes it into consideration. And that’s not dialogue. That’s information. So I think an influential Sámi council is a great idea. I don’t understand why it isn’t already like that, with Sápmi having an obvious role in saying how things affect life, nature, the water, the air, the earth. We are dependent on it and for us it is extremely clear but it’s actually for the benefit of everyone. We can’t drink poisonous water, that’s just how it is.

Jannok goes on to describe what has been lost to a great part of the world’s population, and to show that Indigenous rights are important not only for Indigenous peoples but for humanity and the earth itself:

A big part of the world’s population has lost the connection not only to the earth but also with the elders and the knowledge that generations before us had built up. People have been cut off from this, because of industrialism, individualism, egoism, greed. But it is still here, we are still here. Indigenous peoples exist all over the world and we have still got that connection, not least with the elders, the old generation. And with animals and the places we live in. We see how they change. I mean, it is not a coincidence that all the research reports that indicate evidence of climate change and that the gulf stream is changing, these are things that Indigenous peoples have already confirmed decades before. So there is already a lot of evidence that it can be for the good of all to actually listen to these people. This competence that you can find among Indigenous peoples should be used, and it doesn’t have to be proven in accordance with Western methods to be valid. We see, we listen, we feel, we can remind others about how you do this, because we all come from the earth so of course everyone has this ability. To listen.

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Sofia Jannok at Standing Rock. Photo: Jeff Schad

Singing yourself and the new world into existence

To get more people to listen and reconnect with their own ability to see, hear, understand the earth and other living beings, Jannok has moved from singing primarily in Northern Sámi to singing mainly in English, and some Swedish as well. And the soundscape, production, and rap-inspired vocal style on her latest album also contribute to a sense of her music being more confrontational:

It is a more direct rhetoric. I have moved away from writing more poetically—I’ve always been critical in my songs but allowed art to be art, giving the listener a chance to interpret it in their own way. Now, on my latest album, I don’t want to do this, I want to be as direct as possible. I want to say things that for me have been like saying that the sun rises or something: It’s that it’s light all summer; it is that we are still here. For me it is self-evident, but it apparently isn’t to the ones who always go, ”hey, but, what do you mean with Sámi, do you even exist?” I also want to say “This is my land,” because the focus is always on something other than the fact that this is Indigenous land. Though it is described on every single map—there isn’t one map of Sweden that doesn’t have almost all names in Sámi in northern Sweden. So these self-evident things are what I want to write and I don’t want to leave any space for misinterpretation. It should be clear as daylight what I mean.

Jannok and others like her, from Sápmi and other parts of the world, are giving a voice to alternatives. These stories have the power to change people’s minds and dreams—and so they can also change the society we all build together.

Hope. But there will still always be doubt. Anxiety. We can never know if it will be enough. To find the will to live can be a struggle. All we can do is listen, understand, act, and pass the torch, the fire, on to the people who come after us:

Grieving: Oappáide”

What else can I do but to sing all these songs,

to sing and to hope that we’ll always belong?

I sing to the healing of ancestors’ soil

For future sisters I’m singing this song

 

What else can I do but to sing all these songs?

For future sisters, I hope they keep strong

To support these future sisters (oappáide means “to the sisters”), to help Sápmi stay strong, Jannok has donated money to the Sámi youth choir Vaajmoe—a choir that developed from the need for a meeting-space after the suicides of several young Sámi. And, of course, Jannok’s own music is part of that same movement of singing yourself into existence, making a place in the world for yourself and the people who walk with you. Jannok’s song “Áhpi: Wide as Oceans” is also about suicide; a tribute to those who have left and a comfort to the ones left behind.

Áhpi sheds light on a reality that exists and that has a taboo on it: mental health issues. To simply shed light on things that are real but invisible is to acknowledge people who live that life. To be seen.

 

Light, life, love—a land for everyone

Light. She constantly returns to this—to the bright summers with the midnight sun and to the fire that lights your way in the winter:

It’s not in the fight for my own existence that my fire has its source. It’s in life. And life is so beautiful, rich, full of laughter, hustle and bustle between bare mountains, forest lakes and cities. With strong ties to my people, both the ones who have passed and the ones who are and the ones who shall come. My inspiration for everything comes first and foremost from all the colours of life. From the riches of Sápmi; pride, power, and the indubitable fire of existence; from love for people and my beloved hoods. Everyone who claims that we’re a minority, on the verge of extinction, a disappearing part of world history, haven’t been to my world. Anyone who has seen it could never claim such a thing. We are fully alive as long as the earth breathes, because we are connected to our land and we will protect it as if it were a matter of protecting our own lives. Because that’s what it is.

Indigenous people are survivors, and they must survive for all our sakes—they are at the forefront of the struggle against the accelerating industrial-colonial society that would rather drive us all into the darkest abyss of collapse than to degrow, decolonise, scale down at a controlled pace and find the way back to the land. To survive, the Sámi gain strength through the yoik, through the words and melodies and stories of another world that is possible, a world that is not dead and must not be reinvented because it still lives in these people. Jannok’s yoik is the sound of the noaidi driving out the colonisers from the land and from people’s dreams.

Sápmi is the norm, power, beyond doubt. I sing about what I know. I sing about truths that have been censored, removed. But music, language, culture wouldn’t be alive if it weren’t for the human beings. Us. Human beings keep fires alive. And fire in its turn keeps humanity alive. So I can but show respect and gratitude to those who’ve given me the chance to live with pride, all my forefathers and foremothers who have gone before us and shown the way. Mum, dad, family and sinewy ancestors. Without these people we wouldn’t exist, and the music wouldn’t exist. It comes from us. I honour the people who’ve clung to the tundra as the windswept mountain birches, and who never let go no matter how hard the wind blew in times far harder than these.

Sápmi as the norm is an alternative to the slanted, short-term perspective of colonial society. Through Jannok, the noaidi’s voice comes to bring a new world to both the minds of Indigenous peoples and the minds of the people in settler societies who may not even understand their own role in the world system. It tells the story of a diverse world where there is room for everyone and where we all know the land. I long for that world, for a place where I can exist. Jannok describes a home that I have been denied by my colonial-industrial culture.

Listening to this story of another world, looking at the world through the grieving eyes of Sámi people, we can find ways to decolonise everyone’s minds and the land we are part of—in Sápmi, Sweden, Europe, and the world.

Another world is not only possible. It already exists.

“This is my land: Sápmi”

This is my land, this is my country

and if I’d be the queen you’d see

that I’d take everyone by hand and sing it so it’s out there

that we’ll paint this land blue, yellow, red and green

 

If you say that this girl’s not welcome in this country,

if she must leave because her face is brown

Well, then I say you go first, ‘cause frankly this is my land

and here we live in peace, I’ll teach you how

 

This is my pride, this is my freedom,

this is the air that I breathe

and you’ll find no kings, no queens, here everybody’s equal –

men, women and all who are in between

 

This is my home, this is my heaven,

this is the earth where I belong

and if you want to ruin it all with big wounds in the mountains

then you’re not worthy listening to this song

 

This is my land, this is my country,

these lakes, rivers, hills and woods

If you open up your eyes you’ll see someone is lying

I’ve always been here, welcome to my hoods

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Sofia Jannok at Standing Rock. Photo: Jeff Schad

Rut Elliot Blomqvist is a songwriter, musician, writer, and PhD student in literature and environmental humanities who thinks a lot about environmental justice, degrowth, and the mythologies of contemporary Western society. Ze particularly likes to combine storytelling, music and analysis with activism and farming in searching for ways to describe and build a good life for hirself and others.

Sofia Jannok’s new album, ORDA: This Is My Land, is available on DiscogsAmazon, iTunes, and Spotify. You can buy other merchandise on her website, www.sofiajannok.com.

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Decolonizing nature, the academy, and Europe

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by Aaron Vansintjan

In one article, Zoe Todd tells a story of how she, as a small child, used to go fishing. Whenever her line got caught on a weed, she would shout out to her parents in the cabin, exclaiming that she had caught a fish. An adult would then come down and untangle her line. But one day, she had actually caught one—and no one came to help her reel it in. Finally, when the adults looked out at the lake and saw the little girl trying to wrestle with the fishing rod, they ran down and her father helped her reel in a giant northern pike. Her father calls this story “Zoe and the Big Fish”, and after telling it, Todd remarks “Ever since I caught that fish I have been obsessed with prairie fish and their hidden lives in the rivers and lakes of my homeland. The way that their bodies narrate stories we, collectively, have forgotten to listen to.”

This summer, I found myself on a canoe on the Georgian Bay, Canada—Go Home Bay to be precise—with a fishing rod. I’ve heard a story that “Go Home Bay” is so-called because when European settlers arrived, the Anishinaabe people there told them to “go home.”

Go to Go Home Bay and you’ll see the raw, exposed rocks, the crooked pines bent by the hard winds and the heavy snow, clamoring for space on the rocks. You can’t help but imagine what this landscape might have looked like in its pristine form, unsullied by humans. The untouched trees, the clear water heavy with life, the rocks shot through with veins of marble and granite—they seem to carry stories that have little to do with the cumbersome wooden chalets that line the water.

Another story telling the origin of Go Home Bay is that loggers, after floating freshly-cut timber down the Musquash River, would deliver them to steamers who would then chug their way to the timber mills around the Great Lakes. After this, the loggers could finally “go home.”

These two stories might be conflicting—but they both indicate that this landscape is far from pristine. The primary forest has long been cut down—the timber industry left barely any trees standing. The fish stocks have long been depleted by colonial fishers, robbing the Indigenous people from a major source of subsistence. And there were people living here before the picturesque chalets were erected: the Anishinaabeg. This land carries their stories, stories that are still being told. There is no “pristine” nature without humans, not even here.

I have little experience fishing. But on my second cast—the first cast I caught nothing but weeds—I caught an enormous pike. I was obviously elated—it’s rare to be that lucky. But I couldn’t help thinking back to Todd’s article about her own relationship with fish and their importance to Indigenous people. In it, she describes how a history of colonialism in Canada is literally inscribed on the bodies of fish—the depletion of their populations and the toxins in their bones. As she tells it, “Fish bodies betray the damage to their habitats. Their bodies tell stories of our negligence and silence.”

Todd’s writing led me to wonder what stories that pike had carried, and what stories the Anishinaabeg had for it. I felt like an intruder—this catch wasn’t really a victory; it was more like a symbol of loss.

For Indigenous people in North America, colonialism is not a force of the past. It violently affects them on a daily basis. And they are constantly resisting and developing new ways of asserting their culture and governance systems.

I have often wondered how to carry home what I’ve learned from the struggles of indigenous people in North America. How can Europeans, who have learned to remove themselves in time and place from the horrors of colonization, learn to take responsibility and start a process of decolonization? These questions inevitably leaked in to my own research—how can I do field research, keeping in mind that colonization continues today, both in my “field” (neighborhoods facing gentrification) and within the academy?

Todd’s work offers crucial contributions to these questions. Todd is a Métis scholar who has just become a Lecturer at Carleton University, Ottawa, Canada, and is also completing her PhD in Social Anthropology at the University of Aberdeen. Her main research revolves around human-fish relations, colonialism, and Indigenous governance and legal orders in Canada. Some of her other interests include decolonizing anthropology as a discipline, urban planning, and non-academic writing.

What first drew me to Todd’s evocative writing was her article on the Scottish independence movement. In it, she suggests that since the Scots and Irish were colonized, their struggles for self-determination should be seen from a decolonial perspective. In her own research on human-fish relationships and the legal orders that Indigenous people put in place to maintain those relationships, she helps inform the nature-culture debate. And in several other articles she suggests ways that anthropology, as an academic discipline can engage in a process of decolonization. One such article—a critique of the “ontological turn”—went viral in anthropology circles last year.

Through all this, Todd remains giving and forgiving in her writing. She writes lucidly and poetically, noting injustice while stressing accountability. And she is not content with just telling stories of oppression: she consistently offers stories of resistance and paths for transformation.

I was grateful to be able to interview Zoe Todd to further explore these topics. After a discussion that was cut short by poor Internet service on my end, we continued the conversation via email. I’ve put together these two conversations in a shortened, more legible, format.

 

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Colonialism, past and present

Could you explain a bit how your work challenges this idea that colonization is “a thing of the past”? 

Colonialism is an ongoing reality in Canada. In recent years, I have worked with people who experienced the horrific impacts of Canada’s Indian Residential School System. The Residential School that many of the people I worked with attended didn’t close until 1996. There are residential school survivors in Canada who are only a bit older than me. In my own family, the impacts of colonialism are also visceral. I am two generations removed from my grandfather’s lifetime, when he and his parents were kicked off their land in northern Alberta at the St Paul des Métis settlement. But the stories, the trauma of that? Real and present. Not as direct as they were for my grandfather’s generation, but still present. In May, the Truth and Reconciliation Commission of Canada released an executive summary of its forthcoming six-volume report on its inquiry into the experiences of Residential School survivors. Reading that summary, which lays out the awfulness and violence of the Residential School System, and hearing Justice Murray Sinclair declare that Canada is guilty of perpetuating cultural genocide? That really makes it clear that colonialism is an ongoing reality in Canada.  (It’s also why my colleagues Joseph Paul Murdoch-Flowers and Erica Violet Lee and I started a video project called #ReadTheTRCReport in which people have uploaded videos of themselves reading sections of the report—there is a visceral, embodied experience in reading it aloud that makes it impossible to ignore the stories and findings within the report).

 

How does your own research go beyond depicting Indigenous people as victims, but rather as actively struggling against colonization?

I work in the Canadian Arctic, in a small village or hamlet in an Inuvialuit community named Paulatuuq. I’m looking at how Inuvialuit people in this community have negotiated their reciprocal and ongoing duties to the land and to fish while contending with state-imposed ideas about the appropriate ways to define animals, define the land, define how to engage with exploitative industry. People in Paulatuuq are asserting their laws, but doing it in a way that negotiates a simultaneous but contradictory sameness and difference between their legal orders and their relationship to place (and to the State). Engaging with those aspects of state law that they absolutely have to. So the word I used to describe it is they’re “refracting” colonial forces by asserting their laws in the ways that they can. It may appear that people are being co-opted into co-management but when you’re sitting in those meetings and you’re talking to people it is apparent that they are engaging actively with the scientists and the bureaucrats in a really creative way.

What’s so amazing about Indigenous sovereignty and self-determination is that people are finding these really creative ways to continue to assert their cosmologies or world-views or laws in the face of all of these competing left-leaning, right-leaning, neoliberal, socialist definitions of how people should behave.

 

Could the formalization of Indigenous law by a settler state contribute to the continued colonization of Indigenous people? Some people have argued that this was the case in Bolivia, where sumak kawsay (Buen Vivir), an Indigenous concept, was put into law.

My work is really so small and nascent compared to the incredibly nuanced and ongoing work on Indigenous legal orders and legal pluralities that Indigenous scholars John Borrows, Val Napoleon and Tracey Lindberg (among others) are doing here in Canada. I think their work really demonstrates why it’s important for States like Canada to acknowledge their duties to the legal orders of the people whose ancestry and knowledge and stories of this place stretch to Time Immemorial. I think that the legal pluralistic approach that Borrows advocates for is really important. It demonstrates that Indigenous legal orders that incorporate reciprocal relationships between people, the land, the non-human constituents of the land, water and sky are incredibly important for this country as it contends with increasing pressures to extract oil and gas, mine ore, and dam more waterways.

 

On cities

Why would an anthropologist have a blog called “Zoe and the City?”

I started my blog in 2010 when I was wrapping up my MSc at the University of Alberta. My passion is Indigenous issues and decolonization in urban prairie contexts. (Having grown up as a Métis woman in Edmonton, Alberta, Canada). I had done a pecha kucha talk on ‘Edmonton as an Aboriginal City’ at a city sponsored event in June 2010 that garnered quite a bit of positive response, so I started the blog to keep writing about my observations and thoughts about how Edmonton had so thoroughly erased evidence of Indigenous peoples and history in its built form. Though my interests have expanded to other issues, I keep the name of the blog because everything for me still comes back to the land I grew up in: urban Edmonton—amiskwaciwâskahikan, pêhonan, home.

Whereas before the colonisation of Canada was framed as an issue of terra nullius, Glen Coulthard argues that urban spaces that Indigenous peoples occupy are conceived as space that belongs to nobody or ‘urbs nullius’.

Many people might be surprised that Indigenous issues and urban issues are so linked. But having lived in Canada I’ve seen this play out quite directly—even just the fact that there’s such large Indigenous populations living in Canadian cities. In fact often urban spaces were designed specifically to keep out ‘loitering’ and ‘homeless’ First Nations or Northern Indigenous people. Do you think it is possible for cities to be spaces for Indigenous people, and what practical urban planning strategies could make that a reality? 

Well, every city in Canada is on Indigenous land! So, by necessity, we have to address this fundamental relationship between land, Indigenous nations and urbanism in Canada. My mentor, Dr. Frank Tough, was the first to really point that out to me. He pointed out that many non-Indigenous folks were framing urban Indigeneity as a ‘recent phenomenon’, but in fact, every city in the country is built on Indigenous land. And cities like Edmonton are built in a very very old gathering place, known in nehiyawewin (Plains Cree) as pêhonan. My friend and colleague Sara Breitkreutz, an anthropology PhD student at Concordia University in Montreal, wrote her master’s dissertation on the ‘revitalization’ of Cabot Square in Montreal, wherein I understand that a lot of anxieties about race and Indigeneity came to the fore in discussions about re-designing the space. In Edmonton, there are a lot of tensions around the presence of urban Indigenous people in spaces that urban planners, architects, developers, politicians want to ‘revitalise’. Yellowknives Dene scholar Glen Coulthard argues that one of the fundamental issues at play in urban gentrification in Canada is that it is an extension of settler colonialism. So, whereas before the colonisation of Canada was framed as an issue of terra nullius, Glen argues that urban spaces that Indigenous peoples occupy are conceived as space that belongs to nobody or ‘urbs nullius’. So, I totally agree with you that urban planning continues to marginalize Indigenous people. I think that in order to change that we have to re-frame cities in Canada as what they are: urban communities built on Indigenous land. And in that, we must centre the reciprocal relationships between non-Indigenous people to Indigenous peoples, Indigenous lands, Indigenous legal orders, language, and community.

 

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Decolonizing academia

Currently there is a lot of work being done, partly inspired by Bruno Latour, challenging this idea that there is a nature-culture divide, which anthropologists now call the ‘ontological turn.’ How do you criticize this from an Indigenous perspective? 

The real crux of my critique of the ontological turn is not that it is wrong. They’re on the right track by acknowledging the nature-culture divide. They are absolutely correct, as an Indigenous feminist I read that as a hopeful moment. But we have to acknowledge that any movement is embedded in institutions and structures and the ontological turn itself has been developed by really wonderful Indigenous thinkers as well as non-Indigenous thinkers. However, as Sara Ahmed points out, it seems that white male scholars are often those that are cited within philosophy and the broader academy, and other people are ignored.

I think that if we’re going to talk about the nature-culture divide we need to be explicit about scholarly work as a colonial tool, and Indigenous legal structures as credible, robust, and dynamic ways of thinking. And also ways of asserting and thinking through relationships between people, whether they’re human or not.

My real critique is that Indigenous thinkers all over the world have been making exactly this point for decades, if not centuries (if you read or listen to the accounts of how the Historic Numbered Treaties in Canada were settled, Indigenous thinkers were asserting a view of the world that inherently disputes the Euro-Western nature-culture divide). But they aren’t often credited—for example, Val Napoleon and her colleague Hadley Friedland argue that Indigenous legal orders are not fragile, but in fact very robust. I think that if we’re going to talk about the nature-culture divide we need to be explicit about scholarly work as a colonial tool, and Indigenous legal structures as credible, robust, and dynamic ways of thinking. And also ways of asserting and thinking through relationships between people, whether they’re human or not. So for me, I think that the danger with the ontological turn is that it’s still coming from a Eurocentric perspective and doesn’t acknowledge, not just ideas but the laws that Indigenous people form that hold people accountable and that place the environment as a sentient thing. And so, I think we need to re-examine how we as scholars are also enacting legal governance and ethical duties toward our work.

 

Do you see that conversation happening in anthropology?

In Canada, with the work of Indigenous scholars, there is a direct acknowledgement that when Indigenous people are talking about their works, they’re not just talking about ontologies, they’re talking about concrete laws and ways of resolving conflict and engaging with the world. To be brutally honest, my experience in the UK really didn’t give me hope that scholars can be held directly accountable to the people that they’re speaking for.

People make claims about how they’re speaking with people, and I want to see us actually ask: how do you assess that? Why are there no Indigenous people on the panels? There were very few Indigenous anthropology students in the UK that I’ve met. For me, the proof will be in how the diversity of a department actually reflects the diversity of the people that we say we work with. The academy itself has to make a change. There are concrete ways that can happen and there are people that are already talking about how that can happen.

 

A new breed of environmentalists, calling themselves eco-modernists, seem to have run with ‘the ontological turn’, arguing that since ‘there is no nature’, conservationism actually won’t help, it is totally up to us to manage, maintain, and design the Earth. What would you say about these “ecomodernists” who take Latour’s argument to another level, using it to justify apolitical, technological solutions? 

Frankly, that whole idea of technology saving us from our own capitalist exploitation of the environment is just wishful thinking. What Indigenous legal orders (ontologies if you must) bring to the table is an acknowledgement that we have reciprocal duties to the land, to the other-than-human. And in those duties, there are responsibilities not to destroy entire watersheds, pollute whole lakes, raze mountains for ore. Because there are real legal-governance, social, cultural, living consequences to those actions. I’m hopeful that maybe some technological solutions can help us with the immediate crises we find ourselves in. But we cannot continue to relate to one another, to the land, to the fish, the birds, the bears, the plants in the way that we have been doing since the beginning of the Industrial revolution. Indigenous legal orders, the little bit that I can claim to understand of them, orient us to a much more accountable legal-governance relationship between all things/people/beings.

 

 

On Scottish independence

How do you see Scottish independence from an Indigenous and decolonial perspective?

I was studying at Aberdeen in the Department of Anthropology. Since October 2010, I’ve been splitting my time between Canada and Scotland. I had a front seat to the independence debate and the referendum. For me as a Métis woman with Scotch-Irish roots on my Métis side of the family, it was really really fascinating and kind of amazing to be there to witness that. Particularly because of the entanglement of histories between Scottish people and Indigenous people in Canada.

As an Indigenous person from North America I think that we need to have robust conversations about how, in the case of Scotland, at least, as a group of people that were internally colonized, or who had their self-determination violated by the Enlgish, they also, in turn, came in very large numbers to what is now Canada and participated actively in the dispossession and colonization of Indigenous peoples here. So I’m a bit weary of making direct comparisons between Scottish independence and Indigenous self-determination and sovereignty in North America, just because I think we also need to deconstruct that relationship between people re-visiting or re-creating their colonization or oppression upon another group. I call it the circulation of colonial violence. But I do think there’s a lot to be learned from these movements where people are pushing back against capitalist nation-state violation of people’s relationships to their own legal order and self-determination. Speaking as an Indigenous person from Canada, I do think there’s a lot that we can learn from Indigenous thinkers, activists, and philosophers.

 

Did you see those conversations happening in Scotland, where they link their own movements for autonomy in solidarity with Indigenous autonomy movements?

I have a complicated answer to that question. There was a lot of discourse in the Canadian media and the British media making a comparison between Quebec and Scotland, saying that Quebec independence and Scottish independence are the same thing. Or, sort of, learning from one another. But the thing with the Quebec independence movement is that it often involves a denial of Indigenous sovereignty in the province. And so I actually didn’t think the comparison in Scotland is really analogous (or helpful—because it erases or glosses over this egregious problem with the way Quebec sovereignty discourses can deny that Quebec exists because the French occupied sovereign Indigenous lands. That’s a conversation for another day, though).

The analogue, I think, for me, is that the Scots did manage to assert their own nationhood in a way by legislating and administering Canada into existence. Our first Prime Minister was a Scottish person, John A. MacDonald. This discourse of the English saying that the Scots don’t have what it takes to run a country I find really amusing. If we’re going to make really simple analogies, I think that an under-recognized discourse is how the Scots played such a heavy role in administering Canada into existence. So, in that sense, the Scots have already proven they can govern—they helped bring a whole nation state into existence! However, it’s very difficult to talk about the Scottish role or complicity in British colonialism within Scotland. I got the sense that it is a very taboo topic—it disrupts the framing of Scots as victims of the English.

I acknowledge that it’s a big ask for me as an Indigenous person to demand that 5 million Scottish people admit their complicity in the ongoing colonial realities of British Empire. But there were moments where I did have conversations with people. And people were amenable to, kind of, discussing those complicated relationships. And I found that really hopeful because colonialism is so paradoxical and complicated.

One thing I’m very weary of is when Scottish people talk about themselves as an ‘Indigenous’ people. The problem, as I learned through my time living there, is that this is a co-optation of the meaning of the word “Indigenous”, as it is defined by the United Nations. I was speaking to someone who said that some of the politicians promoting a pro-independence discourse deliberately strayed away from acknowledging Indigenous peoples (like me and other people from around the globe) who live in Scotland. This was deliberate because in Europe, Indigeneity has been co-opted by white supremacists, who talk about indigeneity as, you know, ‘Indigenous white people’ being impacted by non-white people moving in to their country. My understanding is that Pro-independence politicians didn’t want to invoke that scary xenophobic discourse, and I appreciate that. It’s so dangerous to conflate that white supremacist narrative so dominant in Europe at the moment with indigeneity of people who were moved out of the way and whose lands were taken and who were brutally oppressed to enable Europeans to colonize their nation. However, I hope we can some day talk about how Scots do have a reciprocal relationship to the peoples that were colonized by them—including Indigenous peoples around the globe.

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Decolonization in Europe

As a Métis scholar who has lived in Europe, what was your experience of attitudes toward Indigenous people? How would you like to see those conversations going forward?

I think that some people really truly do care about the impacts that European colonialism has had on the world. I think that there are care-full and accountable people everywhere, and I don’t want to paint with too-broad brush strokes. However, in my time in Europe I had a keen experience of the disconnect between the visceral issues I see and experience and bear witness to at home—such as the direct and painful impacts of Missing and Murdered Indigenous Women, Two Spirit People and Girls on Indigenous communities in Canada— and the way these issues are abstract, intellectual, distant in Europe. In Europe, I feel that the direct and visceral [ongoing!] colonial experiences of Indigenous peoples are attenuated by space and time. It’s so hard to convey what these violent, painful issues lived and experienced by Indigenous peoples mean, in an embodied and lived sense, to Europeans when people in Europe are not physically present in our diverse and dynamic Indigenous territories in North America to see the impacts for themselves. In that sense, I think it becomes easy to romanticize and distort the ongoing colonial experience of Indigenous peoples, to not see the harm in appropriating Indigenous material culture or legal orders or stories. Whereas in Canada there is an ongoing legal-governance conversation about Indigenous nationhood and peoplehood, about the ‘nation to nation’ relationship that was acknowledged in the 1996 Royal Commission on Aboriginal Peoples—in Europe there is none of this understanding of direct legal-governance accountability, reciprocity or indeed a very robust conversation about reconciliation (in all its nuances and complexities and problematics). So, I think that at the very least, the conversation needs to start with: colonialism is an ongoing imperative. We have ties that bind us across the ocean. Indigenous peoples are very much alive, to reference Thomas King’s (2013) work in his book The Inconvenient Indian. I get the sense that many Europeans simply assume Indigenous peoples are what King calls ‘dead Indians’ (King 2013:53) and I think that many Europeans only want to deal with the idea of Indigeneity. But, the reality is that Indigenous peoples are very insistently ALIVE. And so the conversation needs to start from a) acknowledging how contemporary Europe still benefits from its colonial imperatives and b) understanding that any kind of contemporary conversation requires addressing Indigenous peoples as living and present.

The reality is that Indigenous peoples are very insistently ALIVE. And so the conversation needs to start from a) acknowledging how contemporary Europe still benefits from its colonial imperatives and b) understanding that any kind of contemporary conversation requires addressing Indigenous peoples as living and present.

 

What could ‘decolonizing’ European activism look like? 

I think it starts with dealing with the deeply rooted ideologies that Europe exported in its colonial work. In the UK, I see the suffering and class hierarchies and exploitation of the downtrodden as a harmful series of ideologies forced onto other peoples/nations/societies around the globe. I see the logics that Canada’s First Prime Minister, Glasgow-born John A. MacDonald, employed to send Indigenous children to residential school echoed in the ‘welfare’ (and that is really too generous a word for what the UK government is doing to the poor) policies of the UK government. So, for me, a ‘decolonizing’ European activism tackles the very intellectual and political and social theories and beliefs that were used to justify violence and dispossession around the world. It requires a conversation about what a generous, kind, caring governance and societal model would look like. It means stopping the needless suffering I saw in Europe—tackling the vicious anti-immigration rhetoric that pervades many European jurisdictions, tackling the angry anti-poor rhetoric used by the government. And dealing with ongoing racism in European institutions. Stuff like that. Loving accountability, if you will.

 

On writing

You are a prolific writer as well as an academic. How does your writing fit in with your academic pursuits? How do they compliment each other?  

Writing is how I stay alive. It is a way of being and a way of rooting myself in place when I don’t have a permanent home or place to attach myself to. I would say in that sense my writing is very much part of my Métis diasporic identity. It gives me a way to create home when that is something uncertain or unstable in my life. I also use my blog to write about things that do not directly relate to my research, so that I have a place to hold those thoughts while I work on other academic projects.

Writing is how I stay alive. It is a way of being and a way of rooting myself in place when I don’t have a permanent home or place to attach myself to. I would say in that sense my writing is very much part of my Métis diasporic identity. It gives me a way to create home when that is something uncertain or unstable in my life.

How do ideas form that you want to write about? How do you start writing a piece, and what drives you when you write?

One of my friends noted in awe when something I wrote went viral—’you wrote that darn thing in an hour, didn’t you?’. And it’s true. I usually formulate ideas over an extended period of time, usually while I’m walking around. Walking is really important to me—it is when I sort out ideas and narratives. When I sit down to write something it’s usually already roughly planned out in my head and then I just put it to paper (or blog). I write because I want to contribute to conversations about issues that matter. I write because I want there to be a place for divergent voices. I know that quite often what I am writing wouldn’t make it through the regular channels. I love that blogs and social media are such a powerful medium for those not broadly represented in the physical make-up of the academy.

 

Looking to the future, what projects are you working on? Is there anything you’ve recently read that has inspired you?

I just started a tenure-track position so my current focus is on wrapping on the PhD and really digging my feet into my new role. I’m incredibly excited to start teaching. As for my work—I’m starting to plan out a new research project. I will be returning back to Alberta, to my home territory, to examine human-fish relationships there. To apply what I’ve learned to experiences and stories in my own homeland. So I am incredibly excited.

And the most recent thing I read that inspired me is Dr. Tracey Lindberg’s debut novel Birdie. It is about Indigenous women’s strength, power and resurgence. It left me awestruck.

 

Zoe Todd (@ZoeSTodd) (Red River Métis/Otipemisiwak) is a Lecturer at Carleton University, Ottawa, Canada and a PhD Candidate in Social Anthropology at the University of Aberdeen. She is a 2011 Trudeau Foundation Scholar. She researches human-fish relations, colonialism and Indigenous legal orders/governance in Canada.

Aaron Vansintjan studies ecological economics, food systems, and urban change. He is editor at Uneven Earth and enjoys journalism, wild fermentations, decolonization and degrowth, and long bicycle rides.

All photos in this article are by Aaron Vansintjan, photographed in Go Home Bay on Anishinaabe territory.